Icon of our Jesus Christ "The Good Shepherd" (2). Contemporary icon.
NOTE: the name of the store in the icon is a watermark. Your icon WILL NOT have it
"The thief comes only to steal and kill and destroy; I came that they may have life, and have it abundantly."I am the good shepherd; the good shepherd lays down His life for the sheep."He who is a hired hand, and not a shepherd, who is not the owner of the sheep, sees the wolf coming, and leaves the sheep and flees, and the wolf snatches them and scatters them." John 10:11
Orthodox icon of our Savior Jesus Christ "Pantocrator" (24), detail from the icon of "Pantocrator" of St. Catherine's Monastery, Sinai.
Divine Liturgy icon
Orthodox icon of the Divine Liturgy by Michael Damaskinos, copy of an icon of 16 cent., Grete
Baptism of our Lord Jesus Christ, Theophany Icon (3)
Orthodox icon of the Baptism of our Lord (Theophany, also Epiphany) (3).
Commemorated January 6th.
This icon is about the Feast that reveals the Holy Trinity to the world through the Baptism of the Lord (Mt.3:13-17; Mark 1:9-11; Luke 3:21-22). God the Father spoke from Heaven about the Son, the Son was baptized by the St John the Forerunner, and the Holy Spirit descended upon the Son in the form of a dove. From ancient times this Feast was called the Day of Illumination and the Feast of Lights, since God is Light and has appeared to illumine those who sat in darkness, and in the region of the shadow of death (Mt.4:16), and to save the fallen race of mankind by grace. John is on the left baptizing Christ, His face turned toward heaven and beholding the miracle of the Theophany.
On the opposite bank to John the Baptist, angels wait invisibly to receive the newly baptized Christ and clothe Him. Despite being the one submerged in the Jordan, Christ is shown in the center of the icon standing up and staring at us. His body is depicted as strong and beautiful. At the bottom of the Icon, little creatures appear to be fleeing from the feet of Christ. This is a reflection of the words of the Psalmist regarding the Messiah (Christ): the sea saw and fled, the Jordan turned back (Psalm 114:3). At the top we see the representation of the Heavenly realm and the action of the Holy Spirit also symbolized by the dove.
Jesus Christ "The King of Glory" icon (2)
Orthodox icon of Christ or "King of Glory. (2). Contemporary icon, Greece
Contemporary icon by the iconographer Dionysios Fentas.
In this icon, the nakedness of the body, the closed eyes, the open sarcophagus, the Cross, the instruments of the Passion, the wounds in the hands and the ribs and the hair down, consist the inclusion of the Holy Passion and forewarn the Resurrection.The Cross comprises the symbol of triumph of the Extreme Humility, the victory of immortality and life, and hope and salvation for the orthodox Christian.
The Theological Interpretation: The composition, while it is connected with the element of glory in a way that one illumines and completes the other one. The Humility of Christ is not meant in pietisitic, psychological or moral terms. Christ is not humbled to reach a moral perfection or for His own benefit. • His humility is emptiness, it is the pouring out of Himself and it is understood under the existential terms. He freely takes the human nature, except sin, and reaches the edge of death to heal it and deify it.
The icon of The Extreme Humility is the symbol of the Passion, which leads to the ultimate humility of Christ, with the ignominious death on the Cross, which He endured for the sake of human kind. He thus reaches at perfect condescension, into the absolute self-denial. Death is the ultimate enemy, who entered the life of man because of sin, because of his separation from God. Therefore, Christ comes as the Savior and gives his battle on the Cross as a King. His rule can only be nothing but servitude, since the king has become a servant out of love: "just as the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many.” (Matthew 20: 28)
Orthodox icon of Saint Katherine of Alexandria the Great Martyr.
Commemorated November 25th.
This icon is from the iconostasis of the Katholikon, (the main church of the Monastery) and she is holding the Cross of a Martyr, the wheel on which she was tortured, and a palm branch symbolizing victory. At her feet are books, geographical tools, etc. which symbolize her great wisdom and learning. Behind her in the icon are depicted the Prophet Moses and the Burning Bush and the Angels transferring St. Catherine's Relic to the top of the mountain.
The Holy Great Martyr Catherine was the daughter of Constus, the governor of Alexandrian Egypt during the reign of the emperor Maximian (305-313). Young men from the most worthy families of the empire sought the hand of the beautiful Catherine, but she was not interested in any of them. She told her parents that she would enter into marriage only with someone who surpassed her in nobility, wealth, comeliness and wisdom. Catherine's mother, a secret Christian, sent her to her own spiritual Father for advice.
After listening to Catherine, the Elder said that he knew of a Youth who surpassed her in everything. His countenance is more radiant than the shining of the sun, and all of creation is governed by His wisdom. His riches are given to all the nations of the world, yet they never diminish. His compassion is unequaled. This description of the Heavenly Bridegroom produced in the soul of the holy maiden an ardent desire to see Him. If you do as I tell you, said the monk, you will gaze upon the countenance of this illustrious man.
In parting, the Elder handed Catherine an icon of the Theotokos with the divine Child Jesus on Her arm and told her to pray with faith to the Queen of Heaven, the Mother of the Heavenly Bridegroom, and She would hear Catherine and grant her heart's desire. Catherine prayed all night and was permitted to see the Most Holy Virgin, Who said Her Divine Son, Behold Thy handmaiden Catherine, how fair and virtuous she is. But the Child turned His face away from her saying, No, she is ugly and unbelieving. She is a foolish pauper, and I cannot bear to look at her until she forsakes her impiety. Catherine returned again to the Elder deeply saddened, and told him what she had seen in the dream. He lovingly received her, instructed her in the faith of Christ, admonished her to preserve her purity and integrity and to pray unceasingly. She then received the Mystery of holy Baptism from him.
Again St Catherine had a vision of the Most Holy Theotokos with Her Child. Now the Lord looked tenderly at her and gave her a beautiful ring, a wondrous token of her betrothal to the Heavenly Bridegroom (This ring is still on her hand). At that time the emperor Maximian was in Alexandria for a pagan festival. Christians were condemned to death in the fire. The saint's love for the Christian martyrs and her fervent desire to ease their sufferings compelled Catherine to speak to the pagan priest and to the emperor Maximian.
Introducing herself, the saint confessed her faith in the One True God and with wisdom exposed the errors of the pagans. The beauty of the maiden captivated the emperor. In order to convince her and to show the superiority of pagan wisdom, the emperor ordered fifty of the most learned philosophers and rhetoricians of the Empire to dispute with her, but the saint got the better of the wise men, so that they came to believe in Christ themselves. St Catherine made the Sign of the Cross over the martyrs, and they bravely accepted death for Christ and were burned alive by order of the emperor. Maximian tried to entice her with the promise of riches and fame. Receiving an angry refusal, the emperor gave orders to subject the saint to terrible tortures and then throw her in prison.
On the following day they again brought the martyr to the judgment court where, under the threat of being broken on the wheel, they urged that she renounce the Christian Faith and offer sacrifice to the gods. The saint steadfastly confessed Christ and she herself approached the wheels; but an angel smashed the instruments of execution, which shattered into pieces with many pagans standing nearby. Having beheld this wonder, the Empress Augusta and the imperial courtier Porphyrius with 200 soldiers confessed their faith in Christ in front of everyone, and they were beheaded.
Maximian again tried to entice the holy martyr, proposing marriage to her, and again he was refused. St Catherine firmly confessed her fidelity to the heavenly Bridegroom Christ, and with a prayer to Him she herself lay her head on the block beneath the executioner's sword. The relics of St Catherine were taken by the angels to Mount Sinai. In the sixth century, the venerable head and left hand of the holy martyr were found through a revelation and transferred with honor to a newly-constructed church of the Sinai monastery, built by the holy Emperor Justinian (November 14). St Catherine is called upon for relief and assistance during a difficult childbirth. Pilgrims to her monastery on Mt Sinai are given souvenir rings as a remembrance of their visit.
Jesus Christ "Pantocrator" icon (23)
Orthodox icon of Jesus Christ Pantocrator (23), copy of theEncaustic icon of Sinai, Christ "Pantocrator".
Encaustic on wood, St. Catherine's Monastery Sinai, 6th century. One of the most important icons in the Monastery's collection and represents the two faces of Christ. In which Christ is presented in the act of blessing with His right hand while holding a closed gospel book in His left.Is the oldest known panel icon to depict Christ.
The composition is simple, the colors are clear: the dark hair, beard and the tunic contrast with the gold aureole, the decorations of the sacred book and the pallor of the face, and the remaining space of the panel is filled with a glimpse of architecture. The most singular aspect of the work is that the two halves of Christ's face express different emotions: on the side on which He holds the Gospel, His features are hard and severe , representing Christ as a Judge who sees all, while the expression on the side with the blessing hand is calm and serene, representing Christ in His role of savior.
The word Pantocrator is Greek, meaning "Ruler of All." The image expresses the central reality of the Christian faith; the Divine Majesty of the creator and ruler of all the world, made flesh and therefore visible to us in the person of Christ Jesus our redeemer. This is the oldest known icon of Christ Pantocrator, written in the sixth century and preserved in the remote monastery of St. Catherine in the Sinai desert. The location enabled the image to survive the destruction of most icons during the iconoclastic era in Byzantine history, (726 to 815 AD.).
Orthodox icon of the Most Holy Theotokos "Tenderness" in silver plated (1).
The icon in 4" x 5 1/2", comes with a small stand and a hole on the back side, can be hanging or standing. The bigger sizes, have a hanger.
St. Leon Pope of Rome
Orthodox icon of Saint Leon the Great, Leo or Leon Pope of Rome.
Commemorated February 18th.
Saint Leo I the Great, Pope of Rome (440-461), received a fine and diverse education, which opened for him the possibility of an excellent worldly career. He yearned for the spiritual life, however, and so he chose the path of becoming an archdeacon under holy Pope Sixtus III (432-440), after whose death St Leo was chosen as Bishop of Rome in September 440. These were difficult times for the Church, when heretics assaulted Orthodoxy with their false teachings. St Leo combined pastoral solicitude and goodness with an unshakable firmness in the confession of the Faith.
He was in particular one of the basic defenders of Orthodoxy against the heresies of Eutyches and Dioscorus, who taught that there was only one nature in the Lord Jesus Christ. He was also a defender against the heresy of Nestorius. He exerted all his influence to put an end to the unrest by the heretics in the Church, and by his letters to the holy emperors Theodosius II (408-450) and Marcian (450-457), he actively promoted the convening of the Fourth Ecumenical Council, at Chalcedon in 451, to condemn the heresy of the Monophysites.
At the Council at Chalcedon, at which 630 bishops were present, a letter of St Leo to the deceased St Flavian, Patriarch of Constantinople (447-449) was read. St Flavian had suffered for Orthodoxy under the Robber Council of Ephesus in the year 449. In the letter of St Leo the Orthodox teaching about the two natures [the divine and the human] in the Lord Jesus Christ was set forth. All the bishops present at the Council were in agreement with this teaching, and so the heretics Eutyches and Dioscorus were excommunicated from the Church.
St Leo was also a defender of his country against the incursions of barbarians. In 452, by the persuasive power of his words, he stopped Attila the Hun from pillaging Italy. Again in the year 455, when the leader of the Vandals [a Germanic tribe], Henzerich, turned towards Rome, he persuaded him not to pillage the city, burn buildings, nor to spill blood. He knew the time of his death beforehand, and he prepared himself, with forty days of fasting and prayer, to pass from this world into eternity. He died in the year 461 and was buried at Rome.
His literary and theological legacy is comprised of 96 sermons and 143 letters, of which the best known is his Epistleto St Flavian.
Crucifixion icon (3)
Orthodox icon of the Crucifixion (3) of our Lord Jesus Christ with scenes of His life. Copy of an icon of 12 cent. Mount Athos, Greece.
Resurrection icon (741-VE)
Orthodox icon of the Resurrection of our Jesus Christ. The icon is made with the old technique of making the icons.
The dimensions of the icon are: 11 1/2" x 5 1/2" x 3/4"
Theotokos "Comforter" icon (2)
Orthodox icon of our Most Holy and Even- Virgin Theotokos "Comforter" (2).
Jesus Christ and Most Holy Theotokos Pair Icons(P16)
Orthodox pair icons of our Jesus Christ and the Most Holy Theotokos "Tenderness" (P16). The icons are made with the old technique of making the icons.
The dimensions of the icons are: 16" x 7 1/2" x 3/4"
Theotokos and Saint Anna icon
Orthodox icon of Theotokos (Panaghia)with Saint Anna, contemporary icon. Iconographer Dionysios Fentas (Thessaloniki, Greece)