Synaxis of All the Saints icon (1)

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Orthodox icon of Synaxis of All the Saints.

Comemmorated Sunday after Pentecost.

The Sunday following Pentecost is dedicated to All Saints, both those who are known to us, and those who are known only to God. This feast may have originated at an early date, perhaps as a celebration of all martyrs, then it was broadened to include all men and women who had borne witness to Christ by their virtuous lives, even if they did not shed their blood for Him. The feast of All Saints achieved great prominence in the ninth century, in the reign of the Byzantine Emperor Leo VI the Wise (886-911).

His wife, the Holy Empress Theophano (December 16) lived in the world, but was not attached to worldly things. She was a great benefactor to the poor, and was generous to the monasteries. She was a true mother to her subjects, caring for widows and orphans, and consoling the sorrowful. Even before the death of St Theophano in 893 or 894, her husband started to build a church, intending to dedicate it to Theophano, but she forbade him to do so.

It was this emperor who decreed that the Sunday after Pentecost be dedicated to All Saints. Believing that his wife was one of the righteous, he knew that she would also be honored whenever the Feast of All Saints was celebrated.

We find this name of our God in two Biblical Books. The first is in the Book of Daniel and it was a vision that Daniel's had: "I kept looking Until thrones were set up, And the Ancient of Days took His seat; His vesture was like white snow And the hair of His head like pure wool. His throne was ablaze with flames, Its wheels were a burning fire."A river of fire was flowing And coming out from before Him; Thousands upon thousands were attending Him, And myriads upon myriads were standing before Him; The court sat, And the books were opened”.

The second is in the book of Revelation 1/A 12-18: "I turned around to see the voice that was speaking to me. And when I turned I saw seven golden lamp stands and among the lamp stands was someone like a son of man, dressed in a robe reaching down to his feet and with a golden sash around his chest. The hair on his head was white like wool, as white as snow, and his eyes were like blazing fire. His feet were like bronze glowing in a furnace, and his voice was like the sound of rushing waters. In his right hand he held seven stars, and coming out of his mouth was a sharp, double-edged sword. His face was like the sun shining in all its brilliance. When I saw him, I fell at his feet as though dead. Then he placed his right hand on me and said: Do not be afraid. I am the First and the Last. I am the Living One; I was dead, and now look, I am alive for ever and ever! And I hold the keys of death and Hades."

In the art of the orthodox iconography, sometimes Christ portrayed as an Elderly, as the “Ancient of the Days”, to symbolically show His existence in eternity and some times like a young “person” to demonstrate His incarnation. This tendency of hagiography appeared in the 6th century AD, especially in the Eastern Byzantine Empire.

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