St. Theophanes the Confessor icon (3)

$ 22.00

Mounted on wood Sizes

4 X 6 5 X 7 6 X 8 8 X 11 11 x 17

Language

English Greek

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Orthodox icon of Saint Theophanes the Confessor Bishop of Nikea, contemporary icon

Commemorated October 11th.

Saint Theophanes, Confessor and Hymnographer, Bishop of Nicea was the younger brother of the Saint Theodore the Branded (December 27). The brothers received an excellent education and were particularly involved in philosophy. Striving towards the knowledge of God, they settled in the Lavra of Saint Savva. Here Saint Theophanes was tonsured, and later became a hieromonk.

The holy brothers were famed as advocates of icon veneration. They boldly fulfilled the mission entrusted them by the Patriarch of Jerusalem and went to Constantinople to denounce the iconoclast emperor Leo the Armenian (813-820). Afterwards, they also denounced the iconoclast emperors Michael Balbos (820-829) and Theophilus (829-842).

The saints had to endure imprisonment, hunger, even torture. The emperor Theophilus gave orders to inscribe a phrase insulting to the glorious confessors upon their faces with red-hot needles. Therefore, they are called “Branded”. “Write whatever you wish, but at the Last Judgment you shall read your own writing,” said the agonized brothers to the emperor. They sent Theodore to prison, where also he died (+ 833), but Theophanes was sent into exile. With the restoration of Icon veneration Saint Theophanes was returned from exile and consecrated Bishop of Nicea. The saint wrote about 150 canons, among which is a beautiful canon in defense of holy icons. He died peacefully around the year 850.

Reference: O.C.A

We find this name of our God in two Biblical Books. The first is in the Book of Daniel and it was a vision that Daniel's had: "I kept looking Until thrones were set up, And the Ancient of Days took His seat; His vesture was like white snow And the hair of His head like pure wool. His throne was ablaze with flames, Its wheels were a burning fire."A river of fire was flowing And coming out from before Him; Thousands upon thousands were attending Him, And myriads upon myriads were standing before Him; The court sat, And the books were opened”.

The second is in the book of Revelation 1/A 12-18: "I turned around to see the voice that was speaking to me. And when I turned I saw seven golden lamp stands and among the lamp stands was someone like a son of man, dressed in a robe reaching down to his feet and with a golden sash around his chest. The hair on his head was white like wool, as white as snow, and his eyes were like blazing fire. His feet were like bronze glowing in a furnace, and his voice was like the sound of rushing waters. In his right hand he held seven stars, and coming out of his mouth was a sharp, double-edged sword. His face was like the sun shining in all its brilliance. When I saw him, I fell at his feet as though dead. Then he placed his right hand on me and said: Do not be afraid. I am the First and the Last. I am the Living One; I was dead, and now look, I am alive for ever and ever! And I hold the keys of death and Hades."

In the art of the orthodox iconography, sometimes Christ portrayed as an Elderly, as the “Ancient of the Days”, to symbolically show His existence in eternity and some times like a young “person” to demonstrate His incarnation. This tendency of hagiography appeared in the 6th century AD, especially in the Eastern Byzantine Empire.

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